Christopher Nolan’s Plot to Change the Way We Watch Movies
Brady Brickner-Wood writes about the signature experience of IMAX theatres, which offer moviegoers an élite viewing experience with a limited…
Brady Brickner-Wood writes about the signature experience of IMAX theatres, which offer moviegoers an élite viewing experience with a limited…
The opposition leader hoped to take over Venezuela after the abduction of Nicolás Maduro—but first she needed to secure support…
The G.O.P. is picking a nominee to challenge the state’s Democratic incumbent governor, Katie Hobbs, and a Republican congressional race…
Rebecca Egan McCarthy reports on the closure of Aqueduct, a horse-racing venue in Queens, New York, in 2026, and what…
Ginny Hogan humorously imagines all the chores she could complete—including taking down a multinational spy ring—if only her baby would…
In a Photo Booth, Michael Schulman writes about the photography of Emily Shur, who shot pictures for magazines in the…
Lauren Oyler profiles the artist behind “SEAWORLD VENICE,” at the Venice Biennale, along with “SANCTA” and “A Year Without Summer.”
Amanda Petrusich on the World Cup halftime show—a cross-cultural panacea—which also featured Justin Bieber, BTS, and Shakira.
Shouts & Murmurs by Jesse Eisenberg: Don’t believe what the other kids have to say; Dad is the one to…
The ninety-two-year-old theatre producer and prison activist stopped by 54 Below to make a career pivot—standup comedy, dishing on Charles…