admin “Furious” Is a Crime Drama for a Post-Epstein World
Inkoo Kang reviews Elizabeth Meriwether’s new Hulu series, starring Emmy Rossum and Lola Petticrew, which follows a woman seeking vengeance…
Will Left-Wing Democrats Reinvent the Party or Hurt Its Chances in November?
Iaac Chotiner speaks with Faiz Shakir, Bernie Sanders’s former campaign manager, about progressive candidates’ chances of winning in the upcoming…
How Donald Trump Silenced the Voice of America
The agency was created to spread the story of freedom and democracy around the world. Now, with many of its…
What Would It Mean to See a New Color?
Olo can be described as the “greenest green,” though it can never be captured by a camera, Rivka Galchen writes.…
Dear Pepper: How to Have Some of It All?
Liana Finck writes a humorous advice column about the choices a couple faces after having their first born.
Fairfield Porter’s Lush, Lonely Vision of the World
Zachary Fine reviews “Fairfield Porter: What Everyone Knows” at the Art Students League in New York City.
The Department of Labored Content
Trump’s Cabinet has joined TikTok, but the White House is about to learn that controlling the platform isn’t the same…
Johnny Knoxville, America’s God of Mischief
Johnny Knoxville, the star of “Jackass,” has spent decades risking his life for our entertainment. In his latest film, “Jackess:…
The Sunlit Joylessness of Netflix’s “Little House on the Prairie”
Sarah Larson on a new, Netflix adaptation of “Little House on the Prarie,” the American-frontier-set series by Laura Ingalls Wilder.
Charli XCX and the Strokes Are (Sort of) Making Rock Music
Amanda Petrusich writes about the two artists’ new albums—“Music, Fashion, Film” and “Reality Awaits”—which seesaw between raw sincerity and punkish…