{"id":244,"date":"2026-05-28T18:08:30","date_gmt":"2026-05-28T18:08:30","guid":{"rendered":"https:\/\/cityrelocationnews.com\/?p=244"},"modified":"2026-05-28T18:08:30","modified_gmt":"2026-05-28T18:08:30","slug":"the-stories-that-tv-tells-about-online-sex-work","status":"publish","type":"post","link":"https:\/\/cityrelocationnews.com\/?p=244","title":{"rendered":"The Stories That TV Tells About Online Sex Work"},"content":{"rendered":"<div>\n<div>\n<div>\n<div>\n<div>\n<p>In the new Apple TV dramedy \u201cMaximum Pleasure Guaranteed,\u201d a divorced mother in the midst of an increasingly ugly custody dispute is revealed to be the perfect customer for web-based sex work. In the course of a single session, the harried Paula (played by Tatiana Maslany) gets a hot, younger guy to listen to her complain about her ex-husband, offer feedback on her home-decorating ideas, and coax her into a climax\u2014all in a few short minutes. When Paula\u2019s relationship with this camboy, named Trevor (Brandon Flynn), is inevitably brought up in the custody battle, Paula defends their chats in the relatable yet deflating terms of efficiency: Trevor\u2019s companionship could be neatly scheduled between work tasks and parenting obligations. \u201cMaximum Pleasure Guaranteed\u201d doesn\u2019t exactly break new ground in its depiction of online sex work; later, Trevor tries to scam Paula, and ends up dead, launching her on a search to find out what happened. Still, the show hinges on an under-acknowledged facet of the modern internet: it has made paid intimacy a thoroughly ordinary part of our lives.<\/p>\n<p>Read more <a href=\"https:\/\/cityrelocationnews.com\/?p=242\">We Found Amelia Earhart, but She Cut Her Bangs, So We Didn\u2019t Recognize Her<\/a><\/p>\n<p>Notably, \u201cMaximum Pleasure Guaranteed\u201d is one of three shows tackling digital sex work this spring. The other two, \u201cEuphoria\u201d and \u201cMargo\u2019s Got Money Troubles,\u201d both center on young women and the economic circumstances that push them toward adult content creation. \u201cEuphoria,\u201d now in its third season, treats the endeavor with the voyeuristic alarmism that its creator, Sam Levinson, has always brought to the series, the first two seasons of which followed a group of sexy-sad teens engaging in a wild array of risky behavior. But its portrayal of the subject is no more shallow or unrealistic than what we get from David E. Kelley\u2019s lauded \u201cMargo\u2019s Got Money Troubles,\u201d in which a nineteen-year-old single mom finds something akin to self-actualization by making sexually suggestive videos. In this respect, the two shows are flip sides of a very thin coin.<\/p>\n<div><\/div>\n<p>\u201cEuphoria\u201d signalled more than once in its previous seasons that it aimed to tell a story about girls who grow up and grow apart. The current season, set five years after the girls\u2019 high-school graduation, scatters its characters across California, then reunites them through their involvement in or proximity to sex work, which is posited as their generation\u2019s prevailing vice. The show\u2019s protagonist, Rue (Zendaya), whose drug addiction caused her to lose Jules (Hunter Schafer), the artsy love of her life, now finds her again in Los Angeles, living in a penthouse apartment paid for by a plastic-surgeon sugar daddy. Rue herself works at a strip club wrangling dancers, but harbors aspirations to \u201cgo legit\u201d one day, and expresses unease at the compromises built into Jules\u2019s setup. Across town, their former classmate Cassie (Sydney Sweeney) has become an adult model, and is seeking the aid of her former best friend, Maddy (Alexa Demie), who\u2019s found a vocation in talent management, to boost her profile. Their friendship fell apart after Cassie began secretly dating Maddy\u2019s ex-boyfriend, Nate (Jacob Elordi), and so the blurry nature of their resumed association\u2014is Maddy her friend again, or just her \u201cinternet pimp\u201d?\u2014is one of the few sources of genuine tension in an anemic, meandering season.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div>\n<div>\n<div>\n<div>\n<p>Much of the emotional potency of the show\u2019s d\u00e9but season came from Levinson\u2019s canny, perhaps even prescient, channelling of Zoomer doomerism. Multiple story lines channelled the anxiety that the internet may be uniquely bad for teen-age girls, who hooked up with suspect men, got catfished, and had their nudes leaked. Even a relatively positive plotline, in which a heavier girl named Kat (Barbie Ferreira) found a measure of sexual approval online that she couldn\u2019t get from her peers at school by briefly dabbling in financial domination, was, at least from a parental perspective, horrifying.<\/p>\n<p>In Season 3, such perils are compounded by the economic malaise affecting Gen Z-ers in their twenties. Even Rue\u2019s childhood friend Lexi (Maude Apatow), who appears to be the only main character to emerge from the time jump with a college degree, has no one\u2019s idea of a good life, spending nearly all her waking hours fetching lunches and coffees as a showrunner\u2019s apprentice. (She also doesn\u2019t think much of Rue\u2019s aborted side gig as a rideshare driver, an occupation that she believes will be extinct when self-driving cars take over the roads.) Meanwhile, Maddy\u2019s long hours, as a lowly paid assistant to a Hollywood talent manager, seem no less brutal\u2014and at least Lexi is spared the humiliation of cleaning up after clients\u2019 dogs. The closest Maddy comes to success is a brief stint as the \u201ccareer architect\u201d of a fledgling OnlyFans model\u2014a role her boss makes her quit for its closeness to the \u201cporno people.\u201d Despite the overripeness of Levinson\u2019s approach to sex work, it\u2019s a natural convergence point between the show\u2019s wariness about technology and its gig-economy pessimism.<\/p>\n<p>But, on \u201cEuphoria,\u201d porn and prostitution are still in their digital gold-rush era. Levinson has traded in the girlie neon that was the first season\u2019s visual signature\u2014and that the artist Petra Collins has claimed that she contributed to the series, without acknowledgment\u2014for a super-saturated Western motif. (Between the increased violence and the hyper-stylized borrowings from old movies, this season has a very Tarantino vibe; it feels like a copy of a copy.) The snakes and cowboy hats are mostly found at the strip club where Rue works, but OnlyFans, the show implies, is the real Wild West. Lexi\u2019s Hollywood, by contrast, is a hermetic and hierarchical system; the show\u2019s treatment of sex work is most interesting when it suggests that the entertainment industry\u2019s snooty exclusion of the OnlyFans crowd is a sign of its timidity and its self-regard. \u201cEuphoria\u201d itself employs a former porn actress, Chloe Cherry, who brings a distinctive look and an often amusing na\u00efvet\u00e9 to her portrayal of the balloon-lipped Faye, a drug mule turned moll.<\/p>\n<p>But the show\u2019s implicit and explicit denunciations of the stigma attached to sex work are blunted by its simultaneous embrace of hoary tropes about the profession. Levinson traces Cassie\u2019s OnlyFans journey in detail, but the character\u2019s increased screen time is not accompanied by greater insight into her psychology. Cassie exemplifies pretty much every generic insult one might imagine about women who take their clothes off for money: she\u2019s materialistic, lacking in values, and, as Rue puts it, \u201cso desperate for attention she\u2019s willing to humiliate herself.\u201d Cassie goes on podcasts to promote her OnlyFans account, declaring that men are society\u2019s real victims and that Democrats are \u201cretarded,\u201d but it\u2019s utterly unclear what she actually believes, or how she feels about espousing those talking points. Over and over, Levinson squanders opportunities for humanization or interiority in favor of provocation. One gets the sense that he is less interested in telling a story about a character\u2019s journey into adulthood than he is in using her\u2014and Sweeney\u2019s conservative-coded celebrity\u2014as a vehicle for rage bait.<\/p>\n<p>Read more <a href=\"https:\/\/cityrelocationnews.com\/?p=240\">How Problematic Is Patriotism?<\/a><\/p>\n<p>It could certainly be argued that \u201cEuphoria\u201d isn\u2019t the place to find well-rounded depictions of anything. Still, what strengths it once had have dwindled, leaving mere spectacles of shock and ew, such as the gross-out shots of Rue and Faye swallowing golf-ball-size bags of fentanyl before crossing the border\u2014made even more nauseating when you know that the prop bags Zendaya and Cherry put in their mouths were actually lubricated with K-Y Jelly\u2014or the pornographic montage showing Cassie on all fours, dressed as a dog, lapping water from a bowl on the floor. The earlier seasons at least had the structure of a coming-of-age narrative to support story lines that might have seemed sensationalistic; now the characters\u2019 wayward attempts at self-empowerment through sex curdle into simplistic morality tales, which portend impending punishments of bloody harm and never-ending debt. The bids for timeliness hardly matter; we\u2019ve heard this story before.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div>\n<div>\n<div>\n<div>\n<p>Given the unwaning popularity of OnlyFans\u2014several prominent Hollywood actresses, along with countless non-famous people, have joined the site in just the past two months\u2014we were probably overdue for a series like Apple TV\u2019s \u201cMargo\u2019s Got Money Troubles,\u201d which sets out to empathize with the creators on the platform and provide a glimpse at the variety of content actually on offer. The young Margo (played by Elle Fanning) is an inverse of Maslany\u2019s overwhelmed Paula on \u201cMaximum Pleasure Guaranteed\u201d: a new mom in urgent need of a work-from-home job that would provide a reprieve from having to find child care for her son. She\u2019s not desperate for attention but for a way to juggle motherhood and a livelihood.<\/p>\n<p>But Margo\u2019s burgeoning career occupies a surprisingly small portion of the show. Much of the run time is dedicated to her relationships with her status-conscious mother (Michelle Pfeiffer), a Hooters waitress turned Bloomingdale\u2019s clerk, and her estranged father (Nick Offerman), a retired wrestler who wants to start over with his daughter. Margo also has to contend with her baby\u2019s negligent father (Michael Angarano), who was previously her English professor; his family\u2019s attorney promises her a trust for the child if she will abandon her education and stop asking for money. What\u2019s more, his mother (Marcia Gay Harden) implies that if there was a transgressor in the fling, it wasn\u2019t her married, thirtysomething son but the college student who must\u2019ve arrived on campus ready to seduce.<\/p>\n<p>In other words, the show stacks the deck in Margo\u2019s favor, lending it a preaching-to-the-choir quality that\u2019s well-meaning but never lets you forget its agenda. (Perhaps the viewers most in need of convincing are the executives at Apple, which continues to disallow the OnlyFans app on its App Store.) Margo is so plucky that she could win the grudging approval of a pastor stepdad, and that is exactly what she does with her mother\u2019s prim groom. Even the story lines meant to illuminate the day-to-day difficulties of content creation on OnlyFans primarily illustrate her quirkiness and ingenuity. The site has no real search function, so new creators have little chance of being randomly discovered; many collaborate with established creators to get noticed. Margo eventually persuades two models with bigger followings, KC (Rico Nasty) and Rose (the actor, stripper, and strip-club organizer Lindsey Normington), to film shorts with her. In their videos, she appears as a green-skinned alien who has recently landed on Earth, with a \u201cBarbarella\u201d mini-dress and an insatiable appetite for Sun Chips.<\/p>\n<p>\u201cMargo\u201d ultimately presents this work as an engine of pure self-optimization, which is no less of a fairy tale than what we get from \u201cEuphoria\u201d\u2014albeit the happy kind rather than the sort with ogres and trolls. By the season\u2019s end, Margo\u2019s new job even brings her closer to her parents by reminding her mom of the body positivity she instilled in Margo as a young girl and convincing her dad that she\u2019s followed in his footsteps as an entertainer. Margo, who begins the series with a single, unsupportive friend, gains three better ones, who also happen to have the skill set to elevate her content. Her dreams of becoming a writer are transmuted into elaborating an online persona, providing her with a creative outlet. (\u201cAll sex work is art,\u201d one of her new friends reassures her\u2014an intriguing if grandiose claim that the series never bothers to make persuasive.) Perhaps most improbably, the platform allows her to survive financially, even though, according to Siri Dahl, an adult performer and sex workers\u2019 activist, the typical creator makes only a couple hundred dollars in the entire course of their OnlyFans career. \u201cMargo\u201d gives its audience an OnlyFans model who\u2019s easy to root for, but at the expense of a nuanced narrative about modern sex work, which, for all of pop culture\u2019s fascination with the topic, remains hard to find. \u2666<\/p>\n<p>Read more <a href=\"https:\/\/cityrelocationnews.com\/?p=238\">All the Films in Competition at Cannes 2026, Ranked from Best to Worst<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Inkoo Kang on shows such as \u201cEuphoria\u201d and \u201cMargo\u2019s Got Money Troubles,\u201d which are wildly different but equally unrealistic about sex work.<\/p>\n","protected":false},"author":1,"featured_media":243,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-244","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-on-television"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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