{"id":263,"date":"2026-05-29T13:06:56","date_gmt":"2026-05-29T13:06:56","guid":{"rendered":"https:\/\/cityrelocationnews.com\/?p=263"},"modified":"2026-05-29T13:06:56","modified_gmt":"2026-05-29T13:06:56","slug":"hacks-gave-us-an-odd-couple-for-the-ages","status":"publish","type":"post","link":"https:\/\/cityrelocationnews.com\/?p=263","title":{"rendered":"\u201cHacks\u201d Gave Us an Odd Couple for the Ages"},"content":{"rendered":"
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No matter what you tell me, I refuse to believe that Deborah Vance did not exist before 2021. That was the year that \u201cHacks\u201d premi\u00e8red, on HBO Max, introducing the world to Deborah, a fictitious standup legend with a blond updo, a closet full of caftans, and a mansion paid for by a residency in Las Vegas and copious appearances on QVC. She may have been a concoction, invented by the series\u2019 creators\u2014Lucia Aniello, Paul W. Downs, and Jen Statsky\u2014but it seemed as if she had been here all along, a real-life comedy diva we had somehow missed. Sure, she had elements of Joan Rivers and Phyllis Diller, with their tireless work ethic, loud wardrobes, and bawdy one-liners. But Deborah wasn\u2019t quite like either of those ladies. As played by Jean Smart, who, at sixty-nine, had landed the defining role of her career, she was silkier than Rivers, drier than Diller. Smart gave the character a delivery all her own\u2014deadpan, droll, and fabulous. She sank into the part like it was a velvet settee.<\/p>\n

Read more \u201cGreater New York\u201d Takes the Pulse of the City<\/a><\/p>\n

When we met Deborah, she was living large but stuck on autopilot, rehashing the same dated material on the casino stage, night after night. In other words, she was a hack. In the pilot episode, Deborah\u2019s manager, Jimmy (played by Downs) pairs her up with another one of his clients, a younger comedy writer, Ava Daniels (Hannah Einbinder), whose career has stalled after an ill-advised tweet about a right-wing senator. (Cancelled on Twitter? So<\/em> 2021.) The two women, working to revive Deborah\u2019s set, form an indelible odd couple: Deborah is a glam, politically incorrect boomer with old-school comedy chops; Ava is a bisexual, eco-conscious Zillennial who doesn\u2019t believe in punch lines because \u201ctraditional joke structure is very male.\u201d Reviewing the show for The New Yorker<\/em>, Doreen St. F\u00e9lix wrote that the pilot \u201cgets its source material from the culture war,\u201d with Deborah and Ava hashing out a generational feud, one joke at a time.<\/p>\n

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\u201cHacks\u201d ended last night, after five stellar seasons and a dozen Primetime Emmys. Fortunately, it had long since evolved past the woke-vs.-joke rivalry. By the end of the first season, Deborah and Ava have reached a fragile symbiosis: Ava has learned to appreciate her boss as a female trailblazer, while Deborah has let Ava push her out of comedic cruise control, with a new act that probes more vulnerable terrain. (\u201cHacks\u201d came on the heels of Hannah Gadsby\u2019s \u201cNanette,\u201d which blended standup special with feminist performance art.) Their antagonism peaked at the end of Season 3, when Deborah achieves her dream of landing a late-night chair and Ava blackmails her way into the head-writer job. By this final season, though, the show had nearly given up on engineering conflicts between the two, positioning them as artistic soul mates and surrogate mother and daughter. (Deborah has a strained relationship with her actual daughter, a recovering addict, while Ava clashes with her high-strung mom, played, respectively, by Kaitlin Olson and Jane Adams.) \u201cHacks\u201d is, most richly, a show about collaboration, about how creative friction breeds originality; in the battle between boomers and Zoomers, it points the way toward an armistice.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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The depth of Deborah and Ava\u2019s unlikely bond led the show, in its home stretch, to what many viewers considered its best episode. In this season\u2019s seventh installment, \u201cMontecito,\u201d directed by Downs and written by Guy Branum, Andrew Law, and Bridget Parker, Deborah has to persuade another comedy veteran, Kelly Kilpatrick (Cherry Jones), to hand over a Bob Mackie jumpsuit for Deborah to wear at an upcoming gig at Madison Square Garden. Kelly, an out lesbian with traces of Ellen DeGeneres (including a femme younger wife, played by Leslie Bibb), mistakes Deborah and Ava for a closeted gay couple, and they play along with the ruse during a weekend at Kelly\u2019s country estate. \u201cMontecito\u201d is \u201cHacks\u201d at its best: sharply written, a little outrageous, and fuelled by the chemistry of its two stars. I won\u2019t soon forget Smart\u2019s delivery of the line \u201cDon\u2019t you dare bring up A-S-S after you said I eat it<\/em>.\u201d<\/p>\n

One of the joys of \u201cHacks\u201d is its meta-narrative: just as Deborah reached a late-career high within the show, so did Smart, after decades in television, enjoy a multi-Emmy-winning victory lap. The same goes for Einbinder, who, like Ava, has established herself as a politically outspoken, incisive comedic voice. (Look out for her upcoming star turn in Jane Schoenbrun\u2019s queer slasher film, \u201cTeenage Sex and Death at Camp Miasma.\u201d) Then there\u2019s the show\u2019s second-banana duo, the talent managers Jimmy and Kayla, played by Downs and Meg Stalter. Like his character, Downs was the show\u2019s straight man (though Jimmy\u2019s sexuality is left curiously ambiguous) and a behind-the-scenes player, while Kayla\u2019s rise from inept assistant to business partner mirrored Stalter\u2019s ascendance from TikTok comedian to blowsy, off-kilter character actress. (Stalter was less assured as the romantic lead of Lena Dunham\u2019s series \u201cToo Much,\u201d but her obnoxious-halfwit persona was put to perfect use on \u201cHacks,\u201d her first professional acting job.) \u201cHacks\u201d filled out its cast with a crackerjack ensemble, from Carl Clemons-Hopkins, as Deborah\u2019s gay consigliere, to Lauren Weedman, as the chaotic mayor of Las Vegas.<\/p>\n

Read more \u201cPower Ballad,\u201d Reviewed: A Bromantic Conflict Over a Hit Song<\/a><\/p>\n

But the show wouldn\u2019t have worked without Smart, who imbued Deborah with wisdom and weariness, grit and glamour. In a standout scene from Season 1, Deborah offers a sexist m.c. at a comedy club $1.69 million if he agrees never to set foot on a stage again. \u201cI can\u2019t get rid of \u2019em all,\u201d she tells the stunned crowd, with the fatigue of a lifetime spent fending off douchebags, \u201cbut I can get rid of one.\u201d The guy shakes on it, and she crows, \u201cNow get the fuck off my stage.\u201d Smart, who starred on the eighties sitcom \u201cDesigning Women,\u201d had to be plausible as a battle-tested superstar, and she brought what all great comics must have: timing. Unlike Diller\u2019s, hers was laid-back and authoritative, with echoes of Miranda Priestly (another stylish doyenne with a beleaguered prot\u00e9g\u00e9e). Deborah is a creature of show business, and Smart understood that comedy was less her job than her engine\u2014a way of winning her place in the world.<\/p>\n

The idea of comedy as life force is what propelled the note-perfect finale. After finding out that a cancerous mass has spread, Deborah declines chemotherapy, reasoning, \u201cI want to go out on top.\u201d Instead, she cajoles Ava into accompanying her to an assisted-suicide facility in Zurich, with a stopover in Paris. Deborah\u2019s death wish seems ironclad until the episode\u2019s final moments, when the two banter at the train station over some gallows humor, and, in a callback to the pilot, Deborah chases down Ava and asks her to help write a cancer-themed special. (The needle drop couldn\u2019t be better, or gayer: the famous duet between Judy Garland and the young Barbra Streisand.) The quest to find the better joke, the stronger laugh\u2014that\u2019s reason enough to keep on living. Smart played the moment, as ever, with understated panache. No wonder she never lost an Emmy in the role.<\/p>\n

Speaking of which, I\u2019m already dreading this year\u2019s Emmy race, which will likely pit Smart against Lisa Kudrow, who plays the fictitious sitcom actress Valerie Cherish on another HBO comedy, \u201cThe Comeback.\u201d Both Deborah and Valerie are show-biz survivors who hit their stride in the sequinned eighties and kept working long past Hollywood\u2019s sell-by date for women. Both are seasoned comedy professionals, though poor Valerie doesn\u2019t have half of Deborah\u2019s talent. The titles of their shows could have easily been swapped: Valerie\u2019s the actual hack, while Deborah gets her hard-won comeback. Who knows, they may even occupy the same fictional world\u2014you can imagine the characters having crossed paths at the 1988 People\u2019s Choice Awards. (Something tells me that Valerie thinks of Deborah as a dear friend, while Deborah absolutely loathes Valerie.) To hell with Marvel. This is the cinematic universe we deserve.\u00a0\u2666<\/p>\n

Read more Postscript: Donald Newhouse<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Over five stellar seasons, Jean Smart\u2019s and Hannah Einbinder\u2019s characters became unlikely artistic soul mates, whose brilliance grew out of their creative friction, Michael Schulman writes.<\/p>\n","protected":false},"author":1,"featured_media":262,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-263","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-on-television"],"yoast_head":"\n\u201cHacks\u201d Gave Us an Odd Couple for the Ages - City Relocation News<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cityrelocationnews.com\/?p=263\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cHacks\u201d Gave Us an Odd Couple for the Ages - 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