{"id":374,"date":"2026-06-05T11:36:54","date_gmt":"2026-06-05T11:36:54","guid":{"rendered":"https:\/\/cityrelocationnews.com\/?p=374"},"modified":"2026-06-05T11:36:54","modified_gmt":"2026-06-05T11:36:54","slug":"cowboy-heaven-in-momas-westerns-series","status":"publish","type":"post","link":"https:\/\/cityrelocationnews.com\/?p=374","title":{"rendered":"Cowboy Heaven, in MOMA\u2019s Westerns Series"},"content":{"rendered":"
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You\u2019re reading the Goings On newsletter, a guide to what we\u2019re watching, listening to, and doing this week. Sign up to receive it in your inbox.<\/strong><\/em><\/span><\/div>\n<\/div>\n

The series<\/strong> \u201cUniversal Westerns,\u201d<\/strong> at MOMA<\/em> through July 3, reveals the fruitful cinematic idiosyncrasies that Universal Pictures, founded in 1912, fostered in its heyday. John Ford, the supreme director of the Western, got his start there, at age twenty-four; in his first feature, \u201cStraight Shooting\u201d<\/strong> (screening June 6 and June 16), from 1917, his artistic personality is already on sharp display. The story involves a family of homesteaders\u2014small-time farmers portrayed as peaceful and law-abiding\u2014facing the hired guns of a cattle rancher who wants their land for grazing. The lead gunman (Harry Carey) grows disgusted and changes sides, as does a young cowboy, resulting in romantic complications with a farmer\u2019s daughter. Ford, a moralist of high principle, creates an instant legend with his lofty depictions of righteous violence\u2014yet with his next film he quickly punctured the pomp of crowd-pleasing heroism. \u201cHell Bent\u201d<\/strong> (June 6 and June 16), from 1918, starts with a Western novelist getting a letter from his publisher requesting realistic characters with mixed motives. The rest of the movie involves the novelist\u2019s imaginings, featuring Carey as a gunman whose actions again\u2014and even more ambiguously\u2014veer between noble and ignoble.<\/p>\n

Read more What Did \u201cLady Chatterley\u201d Liberate?<\/a><\/p>\n

In \u201cTrail of the Vigilantes\u201d<\/strong> (June 8 and July 2), from 1940, the freewheelingly inventive director Allan Dwan turns an intricate drama into a hectic comedy, starring the urbane Franchot Tone, as an upper-crust special investigator who heads West, from Kansas City, and awkwardly poses as a cowpuncher in order to find a journalist\u2019s killer. The action, both loopy and violent, features breathtaking rooftop stunt work framed in starkly graphic images; again, the villains are cattlemen seeking to monopolize land.<\/p>\n

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King Vidor, who, in 1949, had filmed Ayn Rand\u2019s \u201cThe Fountainhead,\u201d both flaunts and questions his libertarian bona fides in \u201cMan Without a Star\u201d<\/strong> (June 12 and June 28), from 1955. It\u2019s a dashingly flamboyant Technicolor tale of a wandering gunslinger (Kirk Douglas) who heads to Wyoming in search of wide-open spaces and gets embroiled in a range war between a big-time rancher and small cattlemen who fence out big herds\u2014and in the schemes of two powerful women (Jeanne Crain and Claire Trevor). An odd subplot of bathroom humor, involving the invention of indoor facilities, symbolizes the changing times. Vidor envisions irreconcilable conflicts of freedom and order, and shrugs.\u2014Richard Brody<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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About Town<\/h2>\n

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Alternative Rock<\/div>\n

The third wave of emo music was in full swing at the turn of the millenium, but the dam preventing its complete cultural penetration wasn\u2019t broken until the Arizona band Jimmy Eat World\u2019s<\/strong> bittersweet single, \u201cThe Middle,\u201d from its self-titled 2001 album, also known as \u201cBleed American,\u201d came flooding onto radio. The band\u2019s previous LP, \u201cClarity\u201d (1999), was a curious, intricate cult classic that got it dropped from its label; taking note, the follow-up\u2019s more straightforward pop songcraft was generational in its articulation of youthful disillusionment. Proving it really wasn\u2019t just a phase, the band celebrates the album\u2019s twenty-fifth anniversary with compatriots from the heyday of the emo stable Vagrant Records: the Get Up Kids and Hey Mercedes.\u2014Sheldon Pearce (Brooklyn Paramount; June 16.)<\/em><\/p>\n

Off Broadway<\/div>\n

\u201cSmall\u201d<\/strong> is a one-man show about Robert Montano\u2019s brief, blazing, and painful adolescent career as a jockey. It\u2019s also a nifty showcase for the resilience of its star, who, with tiny shifts of his spine and eyebrows, embodies each role, mincing flirtatiously as his Puerto Rican mother and adopting a matador\u2019s hauteur as his mentor at the Belmont Raceway. The show begins as a corny boomer bildungsroman, but Montano\u2019s athleticism and the show\u2019s clever staging transform it into something cooler, capturing the high of the ride and the horror of \u201cthe monster\u201d\u2014racetrack slang for the scale. As Montano strokes an invisible horse\u2019s snout, then crouches as we hear the hammer of hooves, the crowd is catapulted toward the finish line.\u2014Emily Nussbaum (Pershing Square Signature Center; through July 24.)<\/em><\/p>\n

Off Broadway<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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The carbonated, TikTokified modern adaptation of Jean Genet\u2019s 1947 play \u201cThe Maids\u201d<\/strong> is set in an influencer\u2019s aerie draped in chiffon, with screens as literal walls and iPhones as metaphorical windows. The Australian director Kip Williams recasts Genet\u2019s sister-maids (a rock-solid Phia Saban and Lydia Wilson) as seething Gen Z underlings, pressed beneath the thumb of the awful Madame (Yerin Ha). The original was a shocker, a fable of class warfare that jump-started absurdist theatre; the new production, reusing the tools of Williams\u2019s superior staging of \u201cThe Picture of Dorian Gray,\u201d feels less novel, but still has a mesmeric kick. As the maids kinkily cosplay as\u2014and scheme to poison\u2014their boss, you cheer for them, if only to kill the algorithm at its source.\u2014E.N. (St. Ann\u2019s Warehouse; through June 14.)<\/em><\/p>\n

Read more The Changing Face of \u201cAuthenticity\u201d in Politics<\/a><\/p>\n

Art<\/div>\n

There\u2019s something scrumptious about Jessi Reaves\u2019s<\/strong> work, but it\u2019s not ornate. She has a fondness for the theatrical\u2014cushioned platforms that act as beds and stages, both the place of fantasy, of desire\u2014which plays beautifully in her display space, a vaulted classical room. Reaves gives a lot of thought to how the artist reuses materials in order to give them a second or third life. It\u2019s refreshing to observe how she uses objects\u2014water bottles, an old vanity\u2014not to denigrate consumerism but to show how consumerist goods are aspirational objects, and what happens to us, the viewer, when we remake the ordinary into the shape of a dream. You can relax in Reaves\u2019s installation because she wants you to live in the universe she\u2019s created\u2014and enjoy.\u2014Hilton Als (American Academy of Arts and Letters; through July 3.)<\/em><\/p>\n

Dance<\/div>\n

This year, Lincoln Center\u2019s Summer for the City<\/strong> is the Summer of Dance. In addition to the usual social-dance occasions on the outdoor dance floor, there\u2019s a brand-new contemporary-dance festival (June 18-July 5) that features a strong lineup of international companies, including those of Rachid Ouramdane and Akram Khan. Before that, on June 10, comes \u201cRhapsody,\u201d one of Larry Keigwin\u2019s fun mass orchestrations of community members, and a swing-dance party with Caleb Teicher and the Eyal Vilner Big Band. \u201cInayat: A Duet for Four,\u201d starring the kathak dancer Tarini Tripathi, runs June 10-12. It\u2019s all free or choose-what-you-pay.\u2014Brian Seibert (Lincoln Center; June 10-Aug. 8.)<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Movies<\/div>\n

The stress of a double life weighs heavily on a French teen-ager in Hafsia Herzi\u2019s drama \u201cThe Little Sister,\u201d<\/strong> based on an autofictional novel by Fatima Daas. The energetic and pensive Nadia Melliti, in her first movie role, plays Fatima, a high-school senior of Algerian descent, who lives in a suburb of Paris. A good student and an athlete, Fatima is attracted to women and begins to act on her desires, keeping her private life a secret: she\u2019s surrounded by homophobic discourse and, as a practicing Muslim, is aware that her conduct is forbidden. Herzi subtly conveys the tension of Fatima\u2019s furtive silence while emphasizing the public systems\u2014educational, medical, religious\u2014that shape her inner life and spark her literary ambitions.\u2014Richard Brody (Film at Lincoln Center; opening June 5.)<\/em><\/p>\n

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On and Off the Avenue<\/h2>\n

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Rachel Syme slips back into summer\u2019s favorite shoes.<\/em><\/p>\n

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The shoe of the summer, like the song of the summer, is a soggy superlative\u2014it shifts with the breeze, depending on where you are and whom you ask. But the fashion world\u2014and those who stand to profit off of it\u2014love a consensus, if only to sell the idea of an unmissable trend. A few years back, the chatter was all about Birkenstocks and the granola-core aesthetic. Then, attention shifted to puffy foam slides\u2014essentially orthopedic pool noodles\u2014which leapt from their traditional use as dorm shower gear to legitimate streetwear. (I am still haunted by the flatulent sound they make while squishing against concrete.) In 2025, it was the mesh ballet flat, spotted on celebrities from Nicole Kidman to Gigi Hadid (it\u2019s not too late to try them; Loeffler Randall<\/strong> still sells a demure, cream-colored version for $250). This summer, the hot footwear du jour is, somehow, the reliable old flip-flop, a shoe that has been kicking around since 4000 B.C. and comes roaring back every few years like El Ni\u00f1o. The modern flip-flop\u2014with its polyurethane body, thong shape, and signature heel thwack<\/em>\u2014dates to the nineteen-fifties and sixties, when companies began adapting traditional Japanese z\u014dri sandals for beachgoing consumers. Now, the flop has gone high fashion. The Row<\/strong>\u2019s<\/strong> coveted Beach Flip Flop Sport 2 retails for $920. A pair of sunny yellow Miu Miu<\/strong> thongs will set you back $795, while a pair of YSL<\/strong> Pool Flip-Flops go for $690. But fret not; cheaper varietals are also trending. Flops from Rainbow,<\/strong> a California purveyor launched in the seventies, are allegedly all the rage with Gen Z (a pair of their popular Flirty Braidy style goes for $71). You can also find fresh-looking flops at the Gap (<\/strong>$34.95), Madewell<\/strong> ($98), and, of course, at the Brazilian juggernaut Havaianas<\/strong>, whose new collaboration with designer Isabel Marant yielded a handsome ikat pair ($120) and another studded with silver balls ($190). Enjoy your flop era.<\/p>\n

Read more The Iran War and the End of the \u201cMiddle East\u201d<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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P.S. Good stuff on the internet:<\/strong><\/p>\n

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  • A summer salad<\/em><\/li>\n
  • The best of \u201cMoby-Dick\u201d<\/em><\/li>\n
  • The fight to save Ben & Jerry\u2019s<\/em><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    Also: the third-wave emo of Jimmy Eat World, Jean Genet\u2019s \u201cThe Maids\u201d TikTokified, Rachel Syme\u2019s shoe of the summer, and more.<\/p>\n","protected":false},"author":1,"featured_media":373,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[45],"tags":[],"class_list":["post-374","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-goings-on"],"yoast_head":"\nCowboy Heaven, in MOMA\u2019s Westerns Series - City Relocation News<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cityrelocationnews.com\/?p=374\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cowboy Heaven, in MOMA\u2019s Westerns Series - City Relocation News\" \/>\n<meta property=\"og:description\" content=\"Also: the third-wave emo of Jimmy Eat World, Jean Genet\u2019s \u201cThe Maids\u201d TikTokified, Rachel Syme\u2019s shoe of the summer, and more.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cityrelocationnews.com\/?p=374\" \/>\n<meta property=\"og:site_name\" content=\"City Relocation News\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-05T11:36:54+00:00\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/cityrelocationnews.com\\\/?p=374#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/cityrelocationnews.com\\\/?p=374\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/cityrelocationnews.com\\\/#\\\/schema\\\/person\\\/3e7ce0c0c60d21e12a5ac61fb2b786d4\"},\"headline\":\"Cowboy Heaven, in MOMA\u2019s Westerns Series\",\"datePublished\":\"2026-06-05T11:36:54+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/cityrelocationnews.com\\\/?p=374\"},\"wordCount\":1586,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/cityrelocationnews.com\\\/?p=374#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/cityrelocationnews.com\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/fd8ffcb00d5338450be661851e39d58b.webp\",\"articleSection\":[\"Goings On\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/cityrelocationnews.com\\\/?p=374#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/cityrelocationnews.com\\\/?p=374\",\"url\":\"https:\\\/\\\/cityrelocationnews.com\\\/?p=374\",\"name\":\"Cowboy Heaven, in MOMA\u2019s Westerns Series - 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