{"id":395,"date":"2026-06-06T13:05:12","date_gmt":"2026-06-06T13:05:12","guid":{"rendered":"https:\/\/cityrelocationnews.com\/?p=395"},"modified":"2026-06-06T13:05:12","modified_gmt":"2026-06-06T13:05:12","slug":"rafa-the-destruction-of-a-man-and-the-making-of-a-legend","status":"publish","type":"post","link":"https:\/\/cityrelocationnews.com\/?p=395","title":{"rendered":"\u201cRafa\u201d: the Destruction of a Man, and the Making of a Legend"},"content":{"rendered":"
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You\u2019re reading Critic\u2019s Notebook<\/strong>, our weekend column looking at the most interesting moments in the cultural Zeitgeist.<\/em><\/span><\/div>\n<\/div>\n

About midway through Zach Heinzerling\u2019s new Netflix docuseries, \u201cRafa,\u201d we see its subject, the legendary Mallorca-born tennis champion Rafael Nadal, receiving physical therapy before he competes in the Barcelona Open. It\u2019s April, 2024, and Nadal, who is nearly thirty-eight\u2014by no means old in regular-human years but positively ancient by tennis-pro standards\u2014is about to return to the court for the first time since 2022, when a bad hip injury forced him to stop competing. As he lies on the treatment table, the Lady Gaga and Bradley Cooper duet, \u201cShallow,\u201d from the 2018 movie \u201cA Star Is Born,\u201d begins to play softly in the background, the song\u2019s notes blending with the faint electric buzz of the physiotherapist\u2019s massaging device. \u201cI\u2019m off the deep end, watch as I dive in\u00a0\/ I\u2019ll never meet the ground,\u201d Gaga sings. \u201cCrash through the surface, where they can\u2019t hurt us\u00a0\/ We\u2019re far from the shallow now.\u201d Nadal hums along, his disrobed and inert figure pushed and prodded in preparation to go out and perform, as he has done so many times before.<\/p>\n

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Watching this scene, I found my thoughts turning to the gap between these familiar lyrics and Nadal\u2019s life, as it emerges in \u201cRafa.\u201d Gaga, in the role of Ally, the titular emerging star of \u201cA Star Is Born,\u201d sings of her desire to free herself from the pain that others might try to inflict upon her; Nadal sees pain not as something to try to run from but, rather, as something to endure and even embrace in order to achieve success. This pain is, first and foremost, physical: almost from the beginning of his record-shattering career, Nadal has weathered a series of intense bodily ailments, from a rare and chronic foot syndrome to knee, back, and hip problems, which made his everyday life and, needless to say, his tennis playing, an exercise in near-constant anguish. But this pain, especially as the years went on, became almost a belief system. \u201cIt was a philosophy. To learn how to suffer through sport,\u201d his mother, Ana Mar\u00eda Parera, tells the camera at one point, a sentiment that his longtime physical therapist, Rafael Maym\u00f3, echoes: \u201cRafa likes to suffer, to have the feeling that he\u2019s pushed himself to the maximum.\u201d For Nadal, in other words, pain has always felt like weakness leaving the body, and \u201cRafa\u201d shows the boons of this ideology, as well as its undeniable costs.<\/p>\n

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Heinzerling\u2019s docuseries alternates between two parallel time lines, each proceeding chronologically. In one, told through a wealth of archival materials, we follow Nadal from 2004, when, at only eighteen, he won the prestigious Davis Cup for Spain, becoming a tennis sensation\u2014and a national hero\u2014overnight. This early triumph led to a long run as a world-famous icon of the sport, mastering, first, the clay court of Roland-Garros, and then, within less than half a decade, the hard courts of the U.S. and Australian Opens and the grass court of Wimbledon. (In sum, Nadal has won twenty-two Grand Slam titles during his two-decade-long career, second only to Novak Djokovic\u2019s all-time record of twenty-four.) The second, tighter time line focusses on more recent events. After winning the French Open in 2022 at the unprecedentedly advanced age of thirty-six, Nadal had to step away from the sport because of his hip injury, and Heinzerling\u2019s film crew joined him to document his return two years later, following him through several tournaments in the lead-up to that summer\u2019s Roland-Garros. The journey is haunted by the spectre of a retirement that everyone on Nadal\u2019s team\u2014everyone, perhaps, except Nadal himself\u2014realizes must not be far off.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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The decision to have the series go back and forth between early- and late-period Nadal is a revealing one. In some ways, he is, of course, the same person whether he is eighteen or thirty-eight, with the same innate talents. (We are reminded of this when a clip of a younger Nadal delivering, say, a devastating forehand, is intercut with one in which the much older player serves a near-identical shot.) And yet, the passage of time that continuously confronts us, as we travel from early- to late-career and back again, reminds us, starkly, of the heavy toll that Nadal\u2019s dazzling achievements have taken on him.<\/p>\n

The young Nadal\u2014baby-faced and long-haired and, by turns, in the clips we see from his early days, shy and joyful and ferocious\u2014has transformed in his later years into a harried and careworn man who looks rather older than his age. He still plays spectacular tennis: seeing the economy, force, and focus of his winning game against Casper Ruud at the 2022 French Open is a thrill, and it calls to mind the man who David Foster Wallace likened, in a 2006 essay, to a passionate warrior, \u201cmesomorphic and totally martial.\u201d But, as we learn from \u201cRafa,\u201d Nadal was able to go through with the match only by having his doctor anesthetize his foot, to dull the debilitating pain caused by his chronic condition. This dead foot, dragged around the court, is both a literal expression of and a metaphor for Nadal\u2019s larger trouble. He has become heavily weighed down by the burden of his tennis-related injuries, and by the psychological mechanisms required to bear this pain\u2014and, what\u2019s more, to keep going, full throttle, despite it.<\/p>\n

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In his on-camera interview with Heinzerling, Nadal comes across as reticent and a bit bland. But if he doesn\u2019t exactly have the most riveting personality, his fervent commitment to the game of tennis, seemingly to the exclusion of almost all else, makes him fascinating as a case study for ambition and monomania. His seething endurance has clearly been honed during the course of his storied rivalry with his two main competitors: Djokovic and Roger Federer, both of whom are interviewed at relative length in the series. Federer, especially\u2014unperturbed, smug, highly punchable\u2014seems to have brought an almost martyr-like tenacity out of Nadal. In the 2008 Wimbledon men\u2019s singles final\u2014a six-and-a-half-hour match that stretched past sundown\u2014Nadal finally bested Federer and won the Wimbledon title simply because, he says, \u201cI was willing to suffer more than him.\u201d As his uncle and former coach, Toni Nadal, tells Heinzerling of the match, \u201cThe temptation to give up is always there. But when you get used to enduring a little more .\u00a0.\u00a0. This is what great champions do.\u201d<\/p>\n

It\u2019s Uncle Toni who is, perhaps, the most fascinating and, honestly, bloodcurdling character we encounter in \u201cRafa.\u201d A sixtyish man with a thatch of gray hair, a stone-cold stare, and the gruff but measured manner of a Mafia don, Toni began training Nadal when he was four, and from the very start, by his own admission, was a \u201cdemanding coach.\u201d (\u201cIt was a lot less pressure to play against any opponent than training with Toni,\u201d Nadal says. \u201cI was scared to make the next mistake.\u201d) When Nadal breaks his finger mid-match as a child, Toni commands him to keep playing. When he wants to drink water during the first hour of practice, Toni forbids it. (\u201cTo learn to suffer a bit,\u201d Toni tells the camera, recalling the memory with a slight smile.) It\u2019s no coincidence, I think, that when Nadal finds himself in the grip of intense anxiety, it manifests not only in a series of complicated O.C.D.-like routines on the court\u2014tugging at the back of his shorts as if to avoid a wedgie, lifting his shirt\u2019s fabric over one shoulder and then the other, sweeping the bridge of his nose and tucking his hair behind each ear\u2014but also, at least during a particularly fraught period in the mid-twenty-tens, in his need to always have a bottle of water wherever he went. (Without it, he\u2019d begin to choke on his own saliva.)<\/p>\n

Even after Toni abruptly quits his role, in 2017, following the addition of the gentler and more encouraging coach Carlos Moya to the team, his punishing spirit still lives on within Nadal. At one point in the series, when Moya suggests to Nadal before a tournament leading up to the 2024 French Open that he should \u201cjust go out there, enjoy yourself, relax, and that\u2019s it,\u201d I almost laughed, since it\u2019s so clear that Nadal\u2019s pleasure center lies elsewhere. \u201cI\u2019m the most perforated player in the history of our sport,\u201d he tells his team dejectedly, likely referring to the literal perforations he\u2019s developed in his intestines from taking too many painkillers and anti-inflammatory meds over the years, or, perhaps, to the hole in his knee tendon that, among other injuries, has brought him to an overreliance on these medications. And yet, though Nadal is obviously miserable about his situation, there\u2019s also a hint of bitter pride in his voice. After all, if he hadn\u2019t kept pushing his body to the detriment of his health, he \u201cprobably would have ten fewer Grand Slams.\u201d His decision to retire, in July of 2024, following his failure first at the French Open, and, soon after that, at the Swedish Open, is owing to the inability to \u201cfind the energy to overcome my limits.\u201d As he writes his team in a text, he is finally\u2014finally\u2014\u201cobliterated.\u201d Who else can say that he has beaten himself up more completely, more brutally, for the sake of tennis posterity?\u00a0\u2666<\/p>\n

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Naomi Fry on Zach Heinzerling\u2019s new Netflix docuseries, \u201cRafa,\u201d and its subject, the legendary Spanish tennis champion Rafael Nadal.<\/p>\n","protected":false},"author":1,"featured_media":394,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[],"class_list":["post-395","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critics-notebook"],"yoast_head":"\n\u201cRafa\u201d: the Destruction of a Man, and the Making of a Legend - City Relocation News<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cityrelocationnews.com\/?p=395\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cRafa\u201d: the Destruction of a Man, and the Making of a Legend - 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