{"id":540,"date":"2026-06-16T11:34:51","date_gmt":"2026-06-16T11:34:51","guid":{"rendered":"https:\/\/cityrelocationnews.com\/?p=540"},"modified":"2026-06-16T11:34:51","modified_gmt":"2026-06-16T11:34:51","slug":"how-tina-fey-wrote-the-most-realistic-and-optimistic-marriage-on-tv","status":"publish","type":"post","link":"https:\/\/cityrelocationnews.com\/?p=540","title":{"rendered":"How Tina Fey Wrote the Most Realistic\u2014and Optimistic\u2014Marriage on TV"},"content":{"rendered":"
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Long before the term heteropessimism was coined, Tina Fey made the sentiment a staple of her comedy on \u201c30 Rock.\u201d Her quasi-autobiographical heroine, Liz Lemon, was the chronically single head writer of a \u201cSaturday Night Live\u201d-like sketch show, and a woman who rarely minded being overworked and undersexed. Liz\u2019s disastrous dates\u2014and the ways men disappoint in general\u2014proved an inexhaustible well to draw from, so much so that later seasons revolved around the possibility that she might settle down with a boyfriend she found intolerable just to avoid meeting any more new people. Liz eventually parlayed this well-earned misandry into a book (and an aborted TV pilot) called \u201cDealbreakers,\u201d which was predicated on the assumption that pretty much all of its female readers should immediately dump their male partners. Even as a little girl, she rarely fantasized about a traditional happy ending: one flashback shows her play-acting her wedding, introducing a stuffed animal as her husband, Saul Rosenbear, who\u2019s accompanied by \u201chis son, Richard, from a previous marriage.\u201d<\/p>\n

Read more How Scott McTominay Led Scotland Back to the World Cup<\/a><\/p>\n

\u201c30 Rock\u201d premi\u00e8red in 2006, just as big-budget romantic comedies starring the likes of Kate Hudson and Katherine Heigl were on their last gasps. Over the course of the series\u2019 seven-season run, women\u2019s humor, especially on the internet, followed in Fey\u2019s cynical footsteps. The twenty-tens gave rise to mugs labelled \u201cmale tears\u201d and Reductress<\/em> headlines like \u201cHow to Break Your Promotion to Your Man Without Emasculating Him.\u201d The heteropessimist cloud that Fey helped usher in has become the prevailing climate. In some circles, having a boyfriend has gone from a status symbol to a source of embarrassment.\u00a0The widening political divide between young women and men has made the search for love an even more fraught endeavor. There are now more unattached women in the country than married ones. Given the choice between a lacklustre man and no man at all, straight women are leaning toward the latter\u2014a fate even the romance-resistant Liz Lemon saw as tantamount to giving up. Television has taken the hint, with the small screen increasingly populated by dysfunctional unions (\u201cDTF St. Louis,\u201d the second season of \u201cBeef\u201d) and husbands who are scornful, menacing, or both (\u201cAll Her Fault,\u201d \u201cImperfect Women\u201d).<\/p>\n

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You might expect Fey to feel vindicated by the shift. But tellingly, in the final season of \u201c30 Rock,\u201d Liz did<\/em> get married\u2014to a sweet, daintily handsome soon-to-be househusband named Criss, played by the rom-com stalwart James Marsden. Their dynamic\u2014she, tetchy and sharp-tongued; he, innocent and sentimental\u2014is strikingly similar to that of the couple played by Fey and Will Forte in her new Netflix series, \u201cThe Four Seasons.\u201d Fey stars as Kate, a self-described \u201cscary boss\u201d at the height of her (unspecified) career; Forte\u2019s Jack is a teacher who\u2019s so softhearted he avoids going to craft fairs, lest he disappoint the venders by not purchasing their wares. Thus, even as Fey\u2019s influence reverberates in the gender wars du jour, she herself has turned to a more hopeful counternarrative: a portrait of an emotionally grounded romance that captures both the rewards of a successful, decades-long marriage and the challenges of maintaining one.<\/p>\n

The Netflix dramedy is a departure from Fey\u2019s typically zany, joke-packed style, as well as her first remake of a pre\u00ebxisting property: a 1981 film by Alan Alda that was one of her favorite childhood movies. Like the film, the TV series, which she created with fellow \u201c30 Rock\u201d alums Lang Fisher and Tracey Wigfield, follows a trio of well-heeled couples who are close enough to travel together every few months\u2014and enmeshed enough that when one of the couples, Nick (Steve Carell) and Anne (Kerri Kenney-Silver), split up, the remaining pairs spin out. Jack and Kate start contemplating their own divorce, while the more sexually adventurous Danny (Colman Domingo) and Claude (Marco Calvani) get into a blowout fight in the middle of a vacation threesome.<\/p>\n

Read more Ken Griffin\u2019s Billions and Billions<\/a><\/p>\n

\u201cThe Four Seasons\u201d is in many respects an overly tidy, milquetoast entertainment. The picturesque locations and slew of comedy veterans involved made me think of Adam Sandler\u2019s M.O. of choosing projects based on where he wants to hang out with his buddies during the shoot. (Fey has attributed her swerve from her usual \u201chard comedy\u201d to a desire to make the sort of gentler shows she prefers to watch these days.) The characters are disappointingly genial, as inoffensive as the obligatory Vivaldi soundtrack: though we hear plenty about Kate\u2019s alleged acerbity\u2014Danny, her best friend, dubs her \u201cLady Disdain\u201d\u2014we don\u2019t see much evidence of it onscreen. But we gain something else from Fey turning her keen observational eye, long used to skewer show-biz types, to the subject of relationships in midlife. The treatment feels refreshingly rooted in reality. Multiple story lines in the first season are fuelled by the fear that one spouse is aging faster than the other, whether physically or psychologically\u2014an underexplored but undoubtedly common anxiety among couples approaching retirement age. The second season, which d\u00e9buted late last month, is set in the aftermath of one character\u2019s sudden death. Kate, for her part, frets that her grieving husband is lacking male companionship. When a fellow Gen X dude approaches Jack on the Jersey shore to play paddleball, she\u2019s practically giddy at the sight. \u201cI didn\u2019t think middle-aged straight men could make new friends,\u201d she marvels.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Kate and Jack\u2019s relationship is the most interesting aspect of \u201cThe Four Seasons,\u201d not least because it feels like a continuation of Liz and Criss\u2019s romance. Both Liz and Kate are women who don\u2019t want matrimony to be the be-all and end-all of their lives\u2014and who therefore tend to sideline or overlook their partners. But if it\u2019s a letdown that Fey doesn\u2019t give us more Liz Lemon-y sourness, \u201cThe Four Seasons\u201d \u2019s depiction of a beta husband who\u2019d put up with (or delight in) such a cranky companion is an unexpected pleasure. Jack emerges as both a truly original character and, one suspects, a new archetype: a sincere, somewhat ineffectual softie whose sensitivity isn\u2019t a product of emasculation but of a sense of justice, and more than a hint of moralism. (After Nick takes up with a much younger woman post-divorce, Jack declares, \u201cI\u2019m better than Nick. I\u2019m a good guy\u201d\u2014the kind of casual judgment that makes him and Kate perfect grousing partners.) As the vicissitudes of middle age pile up, Kate, an inveterate hater, realizes that her role in their marriage is to pull herself out of her jadedness and preserve her husband\u2019s boyish decency. It helps that Forte, who\u2019s so often cast as a goon, a slimeball, or a freak, excels here as a Jack Lemmon-esque straight man, revealing layers of barely repressed neuroticism beneath the surface.<\/p>\n

Kate frequently resents that she has to be her husband\u2019s keeper. More than once, she\u2019s accused of preferring Danny\u2019s company to Jack\u2019s, and you can hardly blame her; she feels young around her best friend, whom she met when she was nineteen, and like the adult in the room around her husband. (During a fight in the first season, as the spectre of separation hangs over the group, Kate snidely tells Jack, \u201cI could never leave you. Your life would fall apart.\u201d) But the new season, which benefits tremendously from having shaken off the source material, reframes such caretaking as a literal labor of love. Kate and Jack, whose empty nest she describes as an \u201cEdgar Allan Poe immersive experience\u201d in the months following their friend\u2019s passing, experiment with leading more independent lives. (Jack agrees to stop insisting, for instance, that they train for a marathon together as a couple.) But the emotional distance between them grows alarmingly large\u2014a gap that Jack becomes desperate to close. In one of the show\u2019s most moving scenes, Kate helps him complete a race while he elicits all the anxieties she\u2019d kept from him, including her terror of mortality being mingled with the thought that \u201cthe big sleep\u201d sounds kind of \u201cnice.\u201d The push out of their respective comfort zones is sweaty, arduous, and, the series suggests, exactly the kind of exertion that sustains a relationship. At the end of the run, Kate and Jack discover that they share the same fear of growing older and it\u2019s creepier if they don\u2019t continue to tend to each other. Marriage is work\u2014but for Fey, who\u2019s made a career of writing and playing workaholics, that\u2019s precisely where the romance lies.\u00a0\u2666<\/p>\n

Read more Olivia Rodrigo\u2019s Early-Twenties Lament<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Inkoo Kang reviews \u201cThe Four Seasons,\u201d a new Netflix series written by and starring Tina Fey.<\/p>\n","protected":false},"author":1,"featured_media":539,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-540","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-on-television"],"yoast_head":"\nHow Tina Fey Wrote the Most Realistic\u2014and Optimistic\u2014Marriage on TV - City Relocation News<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cityrelocationnews.com\/?p=540\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How Tina Fey Wrote the Most Realistic\u2014and Optimistic\u2014Marriage on TV - City Relocation News\" \/>\n<meta property=\"og:description\" content=\"Inkoo Kang reviews \u201cThe Four Seasons,\u201d a new Netflix series written by and starring Tina Fey.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cityrelocationnews.com\/?p=540\" \/>\n<meta property=\"og:site_name\" content=\"City Relocation News\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-16T11:34:51+00:00\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/cityrelocationnews.com\\\/?p=540#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/cityrelocationnews.com\\\/?p=540\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/cityrelocationnews.com\\\/#\\\/schema\\\/person\\\/3e7ce0c0c60d21e12a5ac61fb2b786d4\"},\"headline\":\"How Tina Fey Wrote the Most Realistic\u2014and Optimistic\u2014Marriage on TV\",\"datePublished\":\"2026-06-16T11:34:51+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/cityrelocationnews.com\\\/?p=540\"},\"wordCount\":1474,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/cityrelocationnews.com\\\/?p=540#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/cityrelocationnews.com\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/52f238b94fb24851cf32a0a3cde28917.webp\",\"articleSection\":[\"On Television\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/cityrelocationnews.com\\\/?p=540#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/cityrelocationnews.com\\\/?p=540\",\"url\":\"https:\\\/\\\/cityrelocationnews.com\\\/?p=540\",\"name\":\"How Tina Fey Wrote the Most Realistic\u2014and Optimistic\u2014Marriage on TV - 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