{"id":582,"date":"2026-06-19T12:36:14","date_gmt":"2026-06-19T12:36:14","guid":{"rendered":"https:\/\/cityrelocationnews.com\/?p=582"},"modified":"2026-06-19T12:36:14","modified_gmt":"2026-06-19T12:36:14","slug":"the-dance-legend-lucinda-childss-momentary-reprise","status":"publish","type":"post","link":"https:\/\/cityrelocationnews.com\/?p=582","title":{"rendered":"The Dance Legend Lucinda Childs\u2019s \u201cMomentary Reprise\u201d"},"content":{"rendered":"
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You\u2019re reading the Goings On newsletter, a guide to what we\u2019re watching, listening to, and doing this week. Sign up to receive it in your inbox.<\/strong><\/em><\/span><\/div>\n<\/div>\n

The choreographer Lucinda Childs<\/strong> is having a moment. On June 26, the day she turns eighty-six, she\u2019s opening a weekend run of \u201cMomentary Reprise,\u201d a program featuring new work, at Bard SummerScape<\/strong> (running at the Fisher Center, in Annandale-on-Hudson, N.Y., through June 28). She\u2019s also performing in it. This comes amid a flurry of activity rare for an octogenarian. A few months ago, Childs had a retrospective show at the Guggenheim Museum; more remarkable is a five-year contract she recently signed to step in as resident choreographer of Gibney Dance, a repertory company of young movers. An hour-long premi\u00e8re for the troupe is in the works.<\/p>\n

Read more J. D. Vance\u2019s Contemptuous Conversion Memoir<\/a><\/p>\n

At Bard, Childs is performing \u201cGeranium \u201964,\u201d an adaptation of one of the early, object-focussed pieces she made in the nineteen-sixties, as a member of Judson Dance Theatre; she grips a stretchy cord and leans into a state of suspension. The rest of the bill is in the mode of balletic pattern tracing that she developed in the seventies, in part through collaborations with the avant-garde theatre director Robert Wilson and the composer Philip Glass. In tribute to Wilson, who died last year, the Bard program includes a dance from \u201cEinstein on the Beach,\u201d his landmark 1976 opera with Glass. An upstate premi\u00e8re, \u201cDistant Figure,\u201d is set to music by Glass, too: a passacaglia of the same name written for Childs and for the Russian pianist Anton Batagov, who will play it. Another tribute, to the architect Frank Gehry, who also died last year, comes in the form of an excerpt from \u201cAvailable Light,\u201d Childs\u2019s 1983 project with Gehry and the composer John Adams. Childs\u2019s art may not be as imperishable as the swooping steel of Bard\u2019s Gehry-designed Fisher Center, but it should last. Chances to see Childs perform won\u2019t.\u2014Brian Seibert<\/em><\/p>\n

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<\/p>\n

About Town<\/h2>\n

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Post-Rock<\/div>\n

Last year, the Chicago instrumental post-rock band Tortoise<\/strong> returned with \u201cTouch,\u201d its first album in nearly a decade, the further explorations of an inquisitive nature. \u201cPost-rock\u201d remains an ambiguous term, and yet Tortoise somehow embodies all of its wide-reaching implications, from progressive rock, jazz, and dub to Krautrock and electronica, the group\u2019s compositions fluid but governed by grooves, which give the music structure amid complexity. Tortoise explored a fusionist wonderland in the nineties, with its opus, \u201cTNT,\u201d from 1998, collapsing the distance between ambient and funk. \u201cTouch\u201d is just as dynamic, a swirl of glitched-out electronics and sweeping guitars. The band is joined by the psychedelic singer-songwriter L\u2019Rain, who shares its experimental sensibility.\u2014Sheldon Pearce (Knockdown Center; June 25.)<\/em><\/p>\n

Dance<\/div>\n

Tucked into the bucolic Berkshires, Jacob\u2019s Pillow Dance Festival<\/strong> is a dance oasis. The headliner of the first week is the Paul Taylor Dance Company, with three crowd-pleasers\u2014the joyful \u201cEsplanade,\u201d the regal \u201cBrandenburgs,\u201d and the Second World War-era piece \u201cCompany B\u201d\u2014at the Ted Shawn Theatre. In the smaller Doris Duke, the choreographer and dancer Shamel Pitts takes on his intimate and exhausting duet \u201cTouch of RED\u201d with Channce Williams, a member of his ensemble, TRIBE. And a contemporary-dance group from Copenhagen, Uppercut Dance Theatre, has its American d\u00e9but, on the spectacular outdoor Henry J. Leir Stage.\u2014Marina Harss (Becket, Mass.; June 24-28.)<\/em><\/p>\n

Art<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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It\u2019s no surprise that \u201cYves Saint Laurent and Photography\u201d<\/strong> is a sensational show of fashion images. In the years after becoming the quietly charismatic young star of nineteen-fifties Christian Dior (see Irving Penn\u2019s penetrating 1957 portrait), Saint Laurent didn\u2019t just work with every important fashion photographer\u2014he inspired some of their most indelible and audacious pictures. The Dior gown that Dovima wore while posing between elephants for Richard Avedon was a Saint Laurent design. So was the men\u2019s-tailored \u201cLe Smoking\u201d pants suit that Helmut Newton shot in the gloom and glare of a Parisian back street\u2014now an icon of androgynous chic. Even before 1971, when Jeanloup Sieff photographed Saint Laurent naked on a stack of cushions, the role of the modern fashion designer had been redefined in his image.\u2014Vince Aletti (International Center of Photography; through Sept. 28.)<\/em><\/p>\n

Off Broadway<\/div>\n

A gently oddball semi-solo musical about a maybe-romance on an Easter Sunday, Todd Almond\u2019s \u201cI\u2019m Almost There\u201d<\/strong> is, at its palpitating heart, about longing for love in a city of strangers. The show opens with Almond\u2014the star of the musical \u201cGirl from the North Country\u201d\u2014at his piano, confidently launching into a shaggy-dog anecdote, told in song, about a promising flirtation. But, right away, he gets derailed by tangents, as he struggles even to get down the stairs of his apartment. Time warps, in witty, surreal ways; we meet his neighbors: Noah Max Amick as Sexy Beast, on bass; Erin Hill as a curmudgeonly cat lady, on harp. Funny, lost, and a little wistful, Almond is an unreliable narrator whose dream logic we trust unconditionally\u2014and when he morphs into a mouse in a glue trap, you\u2019ll pray for the lurking feline (who claims to be fifty-three per cent his mother) to spare him.\u2014Emily Nussbaum (BAM<\/em> Fisher; through June 28.)<\/em><\/p>\n

Read more Are Dads Getting Better?<\/a><\/p>\n

Movies<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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The police-drama template gets a vigorous update in the Saudi director Haifaa Al Mansour\u2019s twisty mystery \u201cUnidentified.\u201d<\/strong> A teen-age girl\u2019s body is found in a desert near Riyadh; the police need a woman to view the corpse, and the only one at the station is Nawal (Mila Al Zahrani), a young administrative assistant and a solitary divorc\u00e9e who\u2019s hooked on a true-crime series. When officials fail to identify the victim, Nawal hunts for the killer. Her quest reveals a wide array of misogynistic injustices, ranging from oppressive supervision, arranged marriages, and polygamy to honor killings. Though the engaging story is sometimes filmed dismayingly plainly, its main action sequence\u2014a pursuit on foot through a vast warren of abandoned buildings\u2014is both thrilling and wondrous.\u2014Richard Brody (In limited release.)<\/em><\/p>\n

Off Broadway<\/div>\n

A sense of life cooling its heels pervades Martyna Majok and Aimee Mann\u2019s musical adaptation of the memoir \u201cGirl, Interrupted,\u201d<\/strong> by Susanna Kaysen, about Kaysen\u2019s eighteen-month stay at the psychiatric hospital McLean, in the nineteen-sixties. Susanna (Juliana Canfield), looking back on her life, delivers lines about her younger self with her transfixing John Singer Sargent gaze and an icy repose, or re\u00ebnacts painful episodes, trading Plath references with another patient like samizdat. But the book\u2019s ruminative watchfulness is unsuccessfully conjugated in this overly sedate play with music, which has the feel of a song cycle, though sung by the fine cast with gorgeous, lonely sorrow. The production veers away from a documentary, \u201cTiticut Follies\u201d-like approach while also managing to dodge any great cloudbursts of feeling.\u2014Rhoda Feng (Public Theatre; through July 12.)<\/em><\/p>\n

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Pick Three<\/h2>\n

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Jennifer Wilson on Italian-lesson inspiration.<\/em><\/p>\n

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1.<\/strong> Learning Russian humbled me, or perhaps \u201chumiliated\u201d is the word. In Moscow, I apologized to a professor for being late. \u201cI was sleeping with someone,\u201d I explained. (I meant to say \u201coverslept\u201d but attached the wrong prefix.) I asked a babushka where I could find the nearest \u201csemi-automatic.\u201d Miraculously, she understood that I meant \u201cA.T.M.\u201d But, with Russia largely closed off, I\u2019m rekindling a former flame: Italian. I bought an old textbook on eBay called \u201cPrego!,\u201d<\/strong> which I swear I didn\u2019t choose just because it has a cup of gelato on the cover. Speaking of food, my new favorite phrase is cavoli riscaldati,<\/em> or \u201creheated cabbage.\u201d It refers to the futility of trying to revive an old love affair. That\u2019s never stopped me before!<\/p>\n

2.<\/strong> I was lured back to Italian by \u201cLa Chimera,\u201d<\/strong> Alice Rohrwacher\u2019s life-affirming film about the dead. It stars Josh O\u2019Connor\u2014who learned Italian for the role\u2014as an archeologist turned leader of a band of tombaroli<\/em>, grave robbers who raid Etruscan tombs to fence long-buried artifacts. He, like the objects, is stuck between here and the hereafter, and is mourning a lost love just as a new one introduces herself. Which brings me to wonder\u2014come si dice<\/em> \u201cI can fix him\u201d?<\/p>\n

3.<\/strong> In Jhumpa Lahiri\u2019s \u201cRoman Stories\u201d<\/strong> (written in Italian and translated into English by Lahiri and Todd Portnowitz), an American tourist is trying to read the signs at a bus stop when an Italian man steps in to help\u2014though he takes her off course, that day and forever. They marry. Seduction, she later thinks, is \u201cche ci fa smarrire<\/em>,\u201d or \u201cwhat makes us lose our way.\u201d I haven\u2019t found a better translation.<\/p>\n

Read more Donald Trump\u2019s Iran Deal Is Israel\u2019s Disaster<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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P.S. Good stuff on the internet:<\/strong><\/p>\n

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  • \u201cHis Bed\u201d by Alex Poppe<\/li>\n
  • The tea at A.A.<\/li>\n
  • Imagine all the ones we haven\u2019t discovered<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    Also: the images of Yves Saint Laurent, \u201cGirl, Interrupted\u201d reviewed, the fusionist wonderland of Tortoise, and more.<\/p>\n","protected":false},"author":1,"featured_media":581,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[45],"tags":[],"class_list":["post-582","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-goings-on"],"yoast_head":"\nThe Dance Legend Lucinda Childs\u2019s \u201cMomentary Reprise\u201d - City Relocation News<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cityrelocationnews.com\/?p=582\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Dance Legend Lucinda Childs\u2019s \u201cMomentary Reprise\u201d - City Relocation News\" \/>\n<meta property=\"og:description\" content=\"Also: the images of Yves Saint Laurent, \u201cGirl, Interrupted\u201d reviewed, the fusionist wonderland of Tortoise, and more.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cityrelocationnews.com\/?p=582\" \/>\n<meta property=\"og:site_name\" content=\"City Relocation News\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-19T12:36:14+00:00\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/cityrelocationnews.com\\\/?p=582#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/cityrelocationnews.com\\\/?p=582\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/cityrelocationnews.com\\\/#\\\/schema\\\/person\\\/3e7ce0c0c60d21e12a5ac61fb2b786d4\"},\"headline\":\"The Dance Legend Lucinda Childs\u2019s \u201cMomentary Reprise\u201d\",\"datePublished\":\"2026-06-19T12:36:14+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/cityrelocationnews.com\\\/?p=582\"},\"wordCount\":1491,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/cityrelocationnews.com\\\/?p=582#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/cityrelocationnews.com\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/8f894ed08f4975042b1ab7692333dec8.webp\",\"articleSection\":[\"Goings On\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/cityrelocationnews.com\\\/?p=582#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/cityrelocationnews.com\\\/?p=582\",\"url\":\"https:\\\/\\\/cityrelocationnews.com\\\/?p=582\",\"name\":\"The Dance Legend Lucinda Childs\u2019s \u201cMomentary Reprise\u201d - 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