“Power Ballad,” Reviewed: A Bromantic Conflict Over a Hit Song
Richard Brody reviews John Carney’s dramedy, in which a thwarted songwriter, played by Paul Rudd, crosses paths with a former…
Richard Brody reviews John Carney’s dramedy, in which a thwarted songwriter, played by Paul Rudd, crosses paths with a former…
David Remnick remembers the newspaper visionary and owner of Condé Nast, who understood the value of editorial independence.
Joshua Rothman on the book “I Am Not a Robot: My Year Using AI to Do (Almost) Everything,” by Joanna…
Lebanon has pledged to bring all weapons under state control. But in the face of continued Israeli attacks, Hezbollah refuses…
Antonia Hitchens writes about the President’s “Anti-Weaponization” fund—$1.776 billion of recompense for January 6th rioters.
Larissa MacFarquhar on a class-action lawsuit that is challenging the emergency-removal practices of New York’s Administration for Children’s Services.
Inkoo Kang on shows such as “Euphoria” and “Margo’s Got Money Troubles,” which are wildly different but equally unrealistic about…
Kinsey Jasnoch jokingly writes about the fate of the famous pilot after her disappearance.
Arthur Krystal explores what it means to be patriotic when American patriotism has become associated with diehard, Trump-inspired nationalism.
It wasn’t a banner year for the world’s most important film festival, but there were gems among the twenty-two films…