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When the Religious Right Came for Martin Scorsese
Isaac Butler on how “The Last Temptation of Christ,” Scorsese’s 1988 epic, became one of the first victims of a…
The Expansive Joy of Mao Ishikawa
Hilton Als on the Japanese photographer Mao Ishikawa’s works, upon a show of her work, “Rogue,” at Alison Bradley Projects.
Italy Has Failed to Qualify for Three Straight World Cups. Are the Country’s Immigration Policies to Blame?
After winning the tournament in 2006, gli Azzurri have become a national embarrassment, and their failure has sparked a conversation…
What Dogs See When They Look at Us
Adam Gopnik reviews “The Dog’s Gaze: A Visual History,” by Thomas W. Laqueur.
“Hacks” Gave Us an Odd Couple for the Ages
Over five stellar seasons, Jean Smart’s and Hannah Einbinder’s characters became unlikely artistic soul mates, whose brilliance grew out of…
“Greater New York” Takes the Pulse of the City
Also: the megawatt hip-hop of Baby Keem, the buzzy period reimaginings of Scottish Ballet, the time-capsule documentary “With Hasan in…
“Power Ballad,” Reviewed: A Bromantic Conflict Over a Hit Song
Richard Brody reviews John Carney’s dramedy, in which a thwarted songwriter, played by Paul Rudd, crosses paths with a former…
Postscript: Donald Newhouse
David Remnick remembers the newspaper visionary and owner of Condé Nast, who understood the value of editorial independence.
The Knicks and the Greatest Night in New York Sports
David Remnick on Willis Reed’s glorious victory in 1970 and the wonder of watching the team on the brink of…