The Netflix Show That Airs from the Great Beyond
Michael Schulman writes about the Netflix series“Famous Last Words”—which just released its Gloria Steinem episode. The show’s subjects can finally…
On Television
admin In “Adults,” Gen Z Gets the Hangout Sitcom It Deserves
Inkoo Kang reviews the second season of the FX series, also streaming on Hulu, which stars Owen Thiele, Jack Innanen,…
The Improbable Longevity of “It’s Always Sunny in Philadelphia”
Paula Mejía writes about “It’s Always Sunny in Philadelphia.” The irreverent comedy is the longest-running sitcom in history, yet has…
The Pyrrhic Victories of “House of the Dragon”
Sarah Larson reviews the third season of the “Game of Thrones” spinoff prequel, “House of the Dragon,” starring Emma D’Arcy,…
Ryan Murphy’s Sanded-Down Version of “The Shards”
The director’s adaptation of Bret Easton Ellis’s metafictional thriller-slash-gay-awakening story is a “Glee”-ified version of its source material, Leo Lasdun…
“Furious” Is a Crime Drama for a Post-Epstein World
Inkoo Kang reviews Elizabeth Meriwether’s new Hulu series, starring Emmy Rossum and Lola Petticrew, which follows a woman seeking vengeance…
The Sunlit Joylessness of Netflix’s “Little House on the Prairie”
Sarah Larson on a new, Netflix adaptation of “Little House on the Prarie,” the American-frontier-set series by Laura Ingalls Wilder.
Welcome to the Age of Broke TV
Amid a real-life economic downturn, the greatest shows of 2026—from “Beef” to “The Comeback”—are all about scraping by. Inkoo Kang…
“Widow’s Bay” Sets a High Bar for Horror Comedy
Rachel Syme reviews “Widow’s Bay,” a horror-comedy series on Apple TV written by Katie Dippold and starring Matthew Rhys.
How Tina Fey Wrote the Most Realistic—and Optimistic—Marriage on TV
Inkoo Kang reviews “The Four Seasons,” a new Netflix series written by and starring Tina Fey.