“Furious” Is a Crime Drama for a Post-Epstein World
Inkoo Kang reviews Elizabeth Meriwether’s new Hulu series, starring Emmy Rossum and Lola Petticrew, which follows a woman seeking vengeance…
On Television
admin The Sunlit Joylessness of Netflix’s “Little House on the Prairie”
Sarah Larson on a new, Netflix adaptation of “Little House on the Prarie,” the American-frontier-set series by Laura Ingalls Wilder.
Welcome to the Age of Broke TV
Amid a real-life economic downturn, the greatest shows of 2026—from “Beef” to “The Comeback”—are all about scraping by. Inkoo Kang…
“Widow’s Bay” Sets a High Bar for Horror Comedy
Rachel Syme reviews “Widow’s Bay,” a horror-comedy series on Apple TV written by Katie Dippold and starring Matthew Rhys.
How Tina Fey Wrote the Most Realistic—and Optimistic—Marriage on TV
Inkoo Kang reviews “The Four Seasons,” a new Netflix series written by and starring Tina Fey.
“Hacks” Gave Us an Odd Couple for the Ages
Over five stellar seasons, Jean Smart’s and Hannah Einbinder’s characters became unlikely artistic soul mates, whose brilliance grew out of…
The Stories That TV Tells About Online Sex Work
Inkoo Kang on shows such as “Euphoria” and “Margo’s Got Money Troubles,” which are wildly different but equally unrealistic about…
“The Audacity” Is a Brutal Silicon Valley Satire with an Agenda
Inkoo Kang reviews the AMC dramedy, which familiarly skewers tech bros while focussing on oft-overlooked elements of the world they’ve…