Andre D. Wagner’s Eye for the Photo-Ready
Hanif Abdurraqib on the photographer Andre D. Wagner, who knows the special alchemy that can happen when you point a…
Photo Booth
admin Richard Avedon’s Defining Early Fashion Shoots
Avedon was the first—and for a long time the only—staff photographer at The New Yorker, but he began his career…
Gerald Cyrus’s Magnificent Images of Black Life
Gioncarlo Valentine on the photographer Gerald Cyrus, who began consistently documenting New York City in the nineteen-nineties.
The Teen Portraits That Captivated Sofia Coppola
Margaret Talbot reviews Joseph Szabo’s book “American Teen,” which features high-school students from the nineteen-seventies and nineteen-eighties.
What’s Left of the Back-to-the-Landers
“Handmade Utopia,” a new book by David Jacob Kramer and the photographer Michael Schmelling, captures the hard-headed and hearty few…
How a Skateboarder Sees Los Angeles
Jerry Hsu captures the city’s manic extremes, with photographs of overturned cars, collisions, and a bank building ablaze. Hua Hsu…
Melissa Auf der Maur’s Chronicle of Nineties Rock
Kelefa Sanneh writes about the photographer, who played bass for Hole and the Smashing Pumpkins, and captured a moment in…
The Lonely Men at the End of the World
Ana Karina Zatarain on Dutch photographer Pie Aerts’s images of the puesteros of Chilean Patagonia, who look after other people’s…
The White House Press Corps in the Second Trump Era
Katy Waldman writes about Kent Nishimura’s photographs, which capture the backstage labor that allows the Trump show to go on.
A Celebrity Photographer’s Hidden Stash of Polaroids
In a Photo Booth, Michael Schulman writes about the photography of Emily Shur, who shot pictures for magazines in the…