The Fragile Unions of “Possible Love”
Justin Chang reviews “Possible Love,” Lee Chang-dong’s film about the aftermath of factory layoffs, starring Sul Kyung-gu, Jeon Do-yeon, and…
The Current Cinema
admin The Blistering Hollywood Satire of “Misty Green”
Justin Chang reviews Chris Rock’s new film, “Misty Green,” in which Rosalind Eleazar gives a tremendous performance as a fast-fading…
“Fjord” Keeps the Faith
Justin Chang reviews Cristian Mungiu’s latest film, “Fjord,” in which a family of conservative Christian immigrants in Norway collide with…
The Vertiginous Revelations of “You Can See Everything”
Richard Brody reviews Nathan Fielder and Lance Oppenheim’s documentary, “You Can See Everything,” which scrutinizes Elizabeth Holmes, the disgraced founder…
Tom Cruise Is a Scream—and a Gas—in “Digger”
Justin Chang reviews Alejandro G. Iñárritu’s “Digger,” a fantastical black comedy of environmental catastrophe, starring Tom Cruise, Riz Ahmed, John…
The Predator Catcher Turns Predatory in “Primetime”
Justin Chang reviews Lance Oppenheim’s “Primetime,” starring Robert Pattinson, which chronicles the rise and fall of Chris Hansen and his…
“Resident Evil” Is Fun, but Soulless. What Else Could It Be?
Tyler Foggatt writes about the new film adaptation of the video-game franchise, by director Zach Cregger.
“The Uprising” Is a Grim But Scattershot History Lesson
In Paul Greengrass’s dramatization of the Peasants’ Revolt of 1381, the imperatives of historical re-creation and hyperkinetic action filmmaking fight…
The Blockbuster Audacity of “Hope”
Justin Chang reviews “Hope,” a thriller by the Korean director Na Hong-jin, starring Hwang Jung-min, Zo In-sung, Cameron Britton, Alicia…
“The End of Oak Street” Is a Weirdly Alienated Jurassic Lark
Justin Chang on David Robert Mitchell’s film, starring Anne Hathaway and Ewan McGregor, which is endangered not only by dinosaurs…