admin The New Yorker’s Ava Kofman Wins a 2026 National Magazine Award
The New Yorker announces that the staff writer Ava Kofman has received the 2026 National Magazine Award for Profile Writing,…
Where Are the Tariff Refunds for American Consumers?
The Trump Administration has started repaying more than a hundred and fifty billion dollars to companies that paid its import…
The Age of “Intentional” Drinking
Americans are losing their appetite for booze. Could the mini Martini lure them back? Hannah Goldfield interviews experts including Keith…
The Hollow Trickery of “The Wizard of the Kremlin”
Richard Brody on Olivier Assayas’s film “The Wizard of the Kremlin,” starring Paul Dano, about an adviser to Vladimir Putin.
Kentucky Primary-Elections Map: Live Results
A race to replace Mitch McConnell in the U.S. Senate and Thomas Massie tries to hold on to his seat…
Drake Would Like to Settle the Score
Kelefa Sanneh writes about Drake’s return to the limelight, after feuding with Kendrick Lamar, with three newly released albums—“Iceman,” “Habibti,”…
Mary Todd Lincoln Has Long Been Derided. Is Her Reputation Salvageable?
Thomas Mallon reviews a new biography of Mary Todd Lincoln, “An Inconvenient Widow,” by Lois Romano.
Rostam Batmanglij Wanders to the Edges of American Sound
The former Vampire Weekend musician, who has a new solo album, “American Stories,” likes to push our idea of what…
“The Audacity” Is a Brutal Silicon Valley Satire with an Agenda
Inkoo Kang reviews the AMC dramedy, which familiarly skewers tech bros while focussing on oft-overlooked elements of the world they’ve…
Boots Riley, Marx Brother
Boots Riley’s zany movies, such as “Sorry to Bother You,” combine pop aesthetics with radical politics. Can he make his…